Judith Lynne Hanna, Ph.D.
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Curriculum Vitae
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************************************************************ JUDITH LYNNE HANNA Professional Focus: cross-disciplinary study of performance in the arts and society Education 1976 Ph.D. (anthropology), Columbia University (1973-1976) Specializations Anthropology/sociology/theater of dance, arts and society, education, health, gender, movement behavior, nonverbal communication, politics, urban dynamics; Africa and United States Awards American Council of Learned Societies Travel Grant for the International Congress of Anthropological and Ethnological Sciences, Yugoslavia, 1988 Primary Field Research 1995-to date United States (First Amendment, society, and adult entertainment exotic dance; dance) Other Field Experience 1974 México (summer, urban study) Professional Appointments Hanna and Hanna Associates--Research and Consulting, Englewood Cliffs, Dallas, Bethesda, 1968 to date Consultantships include: New York University; African-American Institute; Peace Corps; New York City Board of Education; School District of Philadelphia; Black Studies Department, City College, City University of New York; Gill/St. Bernard's High School, Bernardsville, NJ; West Dallas Community Center, Richardson Independent School District, TX; Montgomery County, MD; Montgomery County Public Schools, MD; Foreign Service Institute; Louis Harris Associates; Disney World; Development Associates (Office of Education); National Geographic Society; Illume Productions; British Broadcasting Corporation; MSNBC; Discovery Channel Media Interviews: ABC, NBC, Fox News, and Visual Communications television; American Urban Networks (110 stations); Minnesota Public Radio; media abroad, British Broadcasting Station; Ireland's radio Lunchtime Show, Gerry Ryan, TodayFM, Last Word Radio Show; and Focus on the Family Radio Network; Irish Times, Washington Examiner, Las Vegas Sun, Washington Post Expert Court Witness, 1995 to date: Superior Court of Washington, King County, Washington (twice) University of Maryland Virginia Polytechnic Institute and State University, Health Promotion, Ph.D. committee member University of West Indies, Cultural Studies, Supervisor, Ph.D. student International College, Los Angeles / William Lyon University, San Diego, California, Ph.D. Tutor, 1981 to 1990 University of Texas at Dallas, Richardson, Texas Fordham University, Lincoln Center Campus, New York City Gill/St. Bernard's High School, Bernardsville, N.J. The American University, Center for Research in Social Systems, Washington, D.C. Michigan State University, East Lansing University of Ibadan, Nigeria Los Angeles City School System Olympic Jewish Community Center, Los Angeles: Ethnic/Social Dance Leader, 1958 Purple Sage Camp, Malibu: Modern Dance Councilor, Summer 1956 Publications on Dance: Books 1979 To Dance Is Human: A Theory of Nonverbal Communication. Austin and London: University of Texas Press. Paper edition, 1980 1987 Revised edition. Chicago: University of Chicago Press 1983 The Performer-Audience Connection: Emotion to Metaphor in Dance and Society. Austin and London: University of Texas Press (Choice, outstanding book) 1988 Disruptive School Behavior: Class, Race, and Culture. New York: Holmes & Meier 1988 Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire. Chicago: University of Chicago Press 1999 Dança, Sexo e Gênero: Signos de Identidade, Dominação, Desafio e Desejo. Rio de Janeiro, Brazil. Editora Rocco Ltda. 1988 Dance and Stress: Resistance, Reduction, and Euphoria. New York: AMS Press 1999 Partnering Dance and Education: Intelligent Moves for Changing Times. Champaign, IL: Human Kinetics Press. Forthcoming Korean translation: Jungdam 2001 Reality and Myth: What Neighbors Say About Exotic Dance Clubs: A Case Study in Charlotte, North Carolina. Charlotte, NC: Tarheel Entertainment Association, submitted to the City of Charlotte Zoning Board 2006 Dancing for Health: Conquering and Preventing Stress. Lanham, MD: AltaMira Press --- Naked Truth: A Christian Right, Strip Clubs and Democracy, in progress --- Nigeria's Ubakala Igbo Dance: Life, Death, and the Women's War, in progress Refereed Articles in Journals and Edited Volumes 1965a "Africa's New Traditional Dance," Ethnomusicology 9:13-21 1965b "African Dance as Education," Impulse: Dance and Education Now, pp. 48-52 1966 "The Status of African Dance Studies," Africa 36:303-307 1968a "Field Research in African Dance: Opportunities and Utilities," Ethnomusicology 12:101-106 Synopsized as "Dance Field Research: Some Whys and African Wherefores," in Richard Bull, ed., Research in Dance: Problems and Possibilities, New York: Committee on Research in Dance, pp. 82-84, 1968 1968b "Heart Beat of Uganda," African Arts 1(3):42-45, 85 (William John Hanna, co-author) 1968c "Nkwa di Iche: Dance-Plays of Ubakala," Présence Africaine No. 65:13-18 (William John Hanna, co-author) Reprinted in J. Hillion, S. Niang, and J. Tamburini, eds., Elsewhere in Africa, Paris: Librairie A. Hatier, 1978 1969 "The Dance-Plays of Biafra's Ubakala Clan," Anthropologica 11:243-273, revised version of 1968d (William John Hanna, co-author) 1970a "Dance and the Social Sciences: An Escalated Vision," in Martin Haberman and Toby Meisel, eds., Dance--An Art in Academe. NY: Teachers College Press, pp. 32-38 1970b "Discussion of Rod Rodger's Session (Dance Mobilization as Therapy in the Inner City; Research Design)," Workshop in Dance Therapy: Its Research Potentials. New York: Committee on Research in Dance, pp. 37-42 and 62-63 1971 "The Social Significance of Dance in Black Africa," Civilisations 21:238-242 (William John Hanna, co-author) 1973a "The Highlife: A West African Urban Dance," in Patricia A. Rowe and Ernestine Stodelle, eds., Dance Research Monograph. New York: Committee on Research in Dance, pp. 138-152 1975 Reprinted in Judy Van Zile, ed., Dance in World Cultures: Selected Readings. New York: MSS Information Corporation, pp. 164-177 1973b "Anthropology and the Study of Dance: A Report" and "Ethnic Dance Research Guide: Relevant Data Categories," CORD News 6(1):37-44 1974a "Dance, Odyssey, and Theory," in Tamara Comstock, ed., New Dimensions in Dance Research: Anthropology and Dance--The American Indian (Proceedings of the Third Conference on Research in Dance, March 26-April 2, 1972, The University of Arizona and the Yaqui Villages of Tuscon), New York: Committee on Research in Dance, pp. 85-98 Reprinted in W. Neil Widmeyer (ed.), Physical Activity and the Social Sciences, New York: MSS Information Corporation 1974b "African Dance: The Continuity of Change," Yearbook of the International Folk Music Council 5:164-174 1975a "Dances of Anáhuac: For God or Man? An Alternate Way of Thinking About Prehistory," Dance Research Journal 7(1):13-27 1975b "The Anthropology of the Body," Dance Research Journal 7(2):39-43 1975c "The Anthropology of Dance: Reflections on the CORD Conference," Current Anthropology 16(3):445-446 1977a "African Dance and the Warrior Tradition," in Ali A. Mazrui, ed., The Warrior Tradition in Modern Africa. Special Issue of Journal of Asian and African Studies 12(1-2):111-133. Also Leiden: E.J. Brill (book) 1977b "To Dance Is Human: Some Psychobiological Bases of an Expressive Form," in John Blacking, ed., The Anthropology of the Body (A.S.A. Monographs). London: Academic Press, pp. 211-232 1978 "African Dance: Some Implications for Dance Therapy," American Journal of Dance Therapy 2(1):3-15 1979a "Toward Semantic Analysis of Movement Behavior: Concepts and Problems," Semiotica 25(1-2):77-110 1979b "Toward a Cross-Cultural Conceptualization of Dance and Some Correlate Considerations," in John Blacking, ed., The Performing Arts: Music, Dance, Theater (World Anthropology Series, IX ICAES).The Hague: Mouton, pp. 17-45 1979c "Movements Toward Understanding Humans Through the Anthropological Study of Dance," Current Anthropology (CA treatment) 20(2):313-339 2006 Georgiana Wierre-Gore and Andrée Grau, eds. Anthropologie de la danse: Genèse et construction d'une discipline. Pantin, France: Centre national de la danse, pp. 105-144 1979d "Dance and its Social Structure: The Ubakala of Nigeria," Journal of Communication (The Social Meanings of Art) 29(4):184-191 1980 "African Dance Research: Past, Present and Future," Africana Journal 11(1):33-51 1981 "The Artist in the Community," Dance Research Journal 13(1):52, 60 1982a "Public Social Policy and the Children's World: Implications of Ethnographic Research for Desegregated Schooling," in George D. Spindler, ed., Doing the Ethnography of Schooling: Educational Anthropology in Action, New York: Holt, Reinhart and Winston, pp. 316-355 (reissue, Prospect Heights, Illinois: Waveland Press, 1988) 1982b "Dance and the Women's War," Dance Research Journal 14(1-2):25-28 1982c "Is Dance Music? Resemblances and Relationships," World of Music 24(1):57-71 1982d "Tempest in a Toeshoe: Public Policy and the Performing Arts," Practicing Anthropologist 4(1):14-15 1983a "The Mentality and Matter of Dance," Art Education (Special issue on Arts and the Mind, ed., Martin Engel) 36(2):42-46 1983b "Dance and the Cultural Heritage," Proceedings of the International Conference on Children and Youth Dancing, Stockholm, 1982. Stockholm: Swedish Division of Dance and the Child, UNESCO affiliated, pp. 9-25 1983c "Dance and the Child," Current Anthropology 24(2):222-224 1983d "From Folk/Sacred to Popular Culture: Syncretism in Nigeria's Ubakala Dance-Plays," Critical Arts (Rhodes University, South Africa) 3(1):44-54 1984a "Identity, Defiance, and Race Relations: Children's Spontaneous Dance in a Desegregated School," Dance and the Child. Stockholm: Swedish Division of Dance and the Child, UNESCO affiliated, pp. 51-73 1984b "Black/White Nonverbal Differences, Dance and Dissonance: Implications for Desegregation," in Aaron Wolfgang, ed., Nonverbal Behavior: Perspectives, Applications, Intercultural Insights. Toronto & Gottingen: C.J. Hogrefe, pp. 349-385 1984c "Audience Development Through Education," Design 85(6):21-25 1984d "Towards Discovering the Universals of Dance," World of Music 26(2):88-103 1985 "The Impact of the Critic: Comments from the Critic and the Criticized," in John Robinson, ed., Social Science and the Arts, 1984. Lanham, MD.: University Press of America, pp. 141-162 1986a "Movement in African Performance," in Bob Fleshman, ed., Theatrical Movement: A Bibliographical Anthology. Metuchen, NJ: Scarecrow Press, pp. 561-585 1986b "Interethnic Communication in Children's Own Dance, Play, and Protest," in Young Y. Kim, ed. Interethnic Communication (Vol. 10, International and Intercultural Communication Annual). Newbury Park, CA: Sage, pp. 176-198 1986c "Dance," in Thomas A. Sebeok, ed., Encyclopedic Dictionary of Semiotics. Berlin: Mouton-de Gruyter, Vol. I, pp. 170-172 (revised version 1993) 1987a "Dance and Religion (Overview)," in Mircea Eliade, ed., The Encyclopedia of Religion. Vol. 4. New York: Macmillan Co., pp. 203-212 (see Hanna 2005) 1987b "Patterns of Dominance: Men, Women, and Homosexuality in Dance," The Drama Review 113, 31(1):24-47 Reprinted in Wayne R. Dynes and Stephen Donaldson, eds. Homosexuality and Homosexuals in the Arts. Vol. 4 of 13-volume Studies in Homosexuality, New York: Garland, pp. 198-223, 1992 1987c "Gender Language Onstage: Moves, New Moves, Countermoves," Journal of the Washington Academy of Sciences 77(1):18-26 1988a "The Representation and Reality of Divinity in Dance," Journal of the American Academy of Religion 56(2):501-526 1988b "Theories and Realities of Emotion in Performance," Polish Art Studies 9:44-66 and Gestos 3(6):27-51 1988c "Dance and Ritual," Journal of Physical Education, Recreation, and Dance, special issue, "The Source of Them All," Hilmi Ibrahim, ed., 59(9):40-43 1989a "African Dance Frame by Frame: Revelation of Sex Roles Through Distinctive Feature Analysis and Comments on Field Research, Film, and Notation," Journal of Black Studies 19(4):422-441; abstracted in Cultural Anthropology Methods Newsletter 1(2):13, 1989 1989b "Anthropology and the Arts," Anthropology Newsletter, December, pp. 7-8 1989c "The Anthropology of Dance," in Lynnette Y. Overby and James H. Humphrey, eds., Dance: Current Selected Research, I. New York: AMS Press, pp. 219-237 1989d "Dance, Politics, and National Identity," Ballett International (Cologne) 12(2):20-25 1990a "Dance and Semiotics," in Walter A. Koch, ed., Semiotics in the Individual Sciences. Bochum, Federal Republic of Germany: Studienverlag Brockmeyer, Vol. 10, pp. 352-376 1990b "Dance and Women's Protest in Nigeria and the United States," in Guida West and Rhoda Lois Blumberg, eds., Women and Social Protest. New York: Oxford University Press, pp. 333-345 1990c "Anthropological Perspectives for Dance/Movement Therapy," American Journal of Dance Therapy 12(2):115-126 1990d "Advertising With Dance," in Lynnette Y. Overby and James H. Humphrey, eds., Dance: Current Selected Research, II. New York: AMS Press, pp. 117-136 1991a "U.S. Department of Education Programs that Support Arts Education," Design for Arts in Education 93(1):21-26 1991b "Advantages of Bharata Natyam," Dance Theatre Journal 9(1):14-15 1991c "Using the Arts As a Dropout Prevention Tool," Child Behavior and Development Letter 7(3):1-2 1992a "Dance," in Helen Meyer, ed., Ethnomusicology: An Introduction. London: Macmillan & New York: Norton, pp. 315-326 2002 “La Danza,” (Traduzione di Claudio Cento) in Tullia Magrini, ed., Universi Sonori: Introduzione All’Etnomusicologia. Torino, Italy: Piccola Biblioteca Einaudi, pp. 294-315 1992b "Tradition, Challenge, and the Backlash: Gender Education Through Dance," in Laurence Senelick, ed., Gender and Performance. Hanover, NH: The University Press of New England, pp. 223-238 1992c "Moving Messages: Identity and Desire in Dance," in James Lull, ed., Popular Music and Communication, 2nd Edition. Newbury Park, CA: Sage, pp. 176-195 1992d "Connections: Arts, Academics, and Productive Citizens," Phi Delta Kappan 73(8):601-607 (April/May) 1992e "Shock Troupes: Helms, Kitty Kat, and So What?" Ballet Review 20(3):85-93 1993a "Classical Indian Dance and Women's Status," in Helen Thomas, ed., Dance, Gender and Culture. London: Macmillan, pp. 119-127 1993b "Education and Social Change," in John U. Ogbu, sect. ed., Anthropology of Education; T. Husen and T. N. Postelthwaite, eds.-in-chief, International Encyclopedia of Education, Research and Studies, 2nd ed. Oxford: Pergamon Press, pp. 5508-5510 1994a "Issues in Supporting School Diversity: Academics, Social Relations, and the Arts," Anthropology & Education Quarterly 25(1):1-20 1994b "Arts Education and the Transition to Work," Arts Education Policy Review 96(2):31-37 1995a "Dance," in Alan Barnard and Jonathan Spencer, eds., Encyclopedic Dictionary of Social and Cultural Anthropology. London: Routledge 1995b "An Anthropologist Looks at Undressing the First Amendment and Corsetting the Striptease Dancer," First Amendment Lawyers Association 1995 Summer Meeting, Chicago: FALA. 1995c "The Power of Dance: Health and Healing," Journal of Alternative and Complementary Medicine 1(4):323-327 1996a "Breakdancing" and "Gertrude Kurath," in Jan Harold Brunvald, ed., American Folklore: An Encyclopedia. New York: Garland, pp. 101-102, 429-430 1996b "Rhythm and Choreography," Degrés, No. 87 (Autumn):65-80 1997a "'Ubakala, We Are Coming': Searching For Meaning In Dance," in Ester Dagan, ed., The Spirit's Dance In Africa. Montreal: Galerie Amrad, pp. 90-93 1997b "Problems and Dilemmas in Classifying African Dances," in Ester Dagan, ed., The Spirit's Dance In Africa. Montreal: Galerie Amrad, pp. 210-215 1997c "Creativity in Ubakala, Dallas Youth, and Exotic Dance," in R. Keith Sawyer, ed. Creativity in Performance, R. Keith Sawyer, ed. Norwood, NJ: Ablex Publishing Corporation, pp. 141-167 1998a "Ubakala," Vol. 6:219, "West Africa," Vol. 6:381-385, "Cultural Context," Vol. 4:362, in Selma Jeanne Cohen, ed., International Encyclopedia of Dance. New York: Oxford University Press 1998b "Undressing the First Amendment and Corsetting the Striptease Dancer," The Drama Review (T158) 42(2):38-69, Summer 1998c "Feminist Perspectives on Classical Indian Dance," in David Waterhouse, ed., Dance of India (South Asian Studies Papers).Toronto: University of Toronto Graduate Centre for South Asian Studies, pp. 193-231 1999a "Toying with the Striptease Dancer and the First Amendment," in Stuart Reifel, ed., Play and Culture Studies, Vol. 2. Greenwich, CT: Ablex, pp. 37-55 1999b "Dance," in David Levinson, James Ponzetti, and Peter Jorgensen, eds., Encyclopedia of Human Emotions, Vol. 1. New York: Macmillan, pp. 171-177 2001a “Ballet to Exotic Dance – Under the Censorship Watch,” in Janice LaPointe-Crump and Juliette Crone-Willis, compilers, Dancing in the Millennium: An International Conference, 2000 Proceedings, Washington, DC, pp. 230-234 2001b “Dance Training and Education,” Dance Research Journal 32(2):4-5 2001c “The Language of Dance,” Journal of Health, Physical Education, Recreation and Dance 72(4):40-45, 53 2001d “Beyond the Soundbite: What the Research Actually Shows about Arts Education and Academic Outcome,” Journal of Dance Education 1(2):81-85 2001e “Where Is the Research on Dance Education?” Congress on Research in Dance Newsletter 20(2):5-6 2002a “Dance Education Workshop at Vail International Dance Festival,” Research in Dance Education 3(1):47-55 2002b “Reading A Universal Language?” DCA (Dance Critics Association) News, Spring, pp. 6, 15 2002c "Dance Under the Censorship Watch," Journal of Arts Management Law and Society 29(1):1-13. 2002e “Playing Dance Anthropologist in Dance Education,” Journal of Dance Education 2(3):100-103 2003a “Exotic Dance Adult Entertainment: Ethnography Challenges False Mythology,” City and Society 15(2):165-193 2003b “Aesthetics -- Whose Notions of Appropriateness & Competency, What Are They and How Do We Know?” World of Music, Special Issue: Cross-Cultural Aesthetics, eds., D.A. Avorgbedor and M.P. Baumann, 45(3):29-54 2004a “The First Amendment, Artistic Merit and Nudity in Minnesota: Dance, Criminal Public Indecency and Evidence,” Minnesota Law and Politics Web Magazine, April/May (noted in Minnesota Law and Politics 145:34), www.lawandpolitics.com (click on MN & then web magazine) Synopsized: "Artistic Merit in Exotic Dance: A Case Study in Exotic Dancer Jury Trials," 2004b “Applying Anthropological Methods in Dance/Movement Therapy Research," in Robyn Flaum Cruz and Cynthia R. Berrol, eds., Dance/Movement Therapists in Action: A Working Guide to Research Options. Springfield, IL: Charles C. Thomas Publishers, pp. 144-165 2004c "To Tap into the Meaning of Movement," Movement News (Laban/Bartenieff Institute of Movement Studies), 29(1):9-10 2004d “Dance Classes,” in Gary S. Cross, ed., Encyclopedia of Recreation and Leisure in America, Vol. 1. Detroit, MI: Charles Scribner’s Sons, pp. 263-265 2004e “Performing Arts Audiences,” in Gary S. Cross, ed., Encyclopedia of Recreation and Leisure in America. Vol 2. Detroit, MI: Charles Scribner’s Sons, pp. 105-107 2004f “Social Dancing,” in Gary S. Cross, ed., Encyclopedia of Recreation and Leisure in America. Vol. 2. Detroit, MI: Charles Scribner’s Sons, pp. 284-287 2004g “Dance,” in Cary Wintz and Paul Finkelman, eds., Encyclopedia of the Harlem Renaissance (2 vols.). New York: Routledge, pp. 289-293 2005b “Body Language and Learning: Insights for K-12 Education,” in Lynnette Y. Overby and Billie Lepczyk, eds., Dance Education (Dance: Current Selected Research, Vol. 5). New York: AMS Press, pp. 203-220 2005c “Adult Entertainment Exotic Dance: A Guide for Planners and Policy Makers” (CPL 2006a "Pour une comprehension des humain à travers l'étude anthropologique de la danse," in André Grau and Georgiana Wierre-Gore, eds. Anthropologie de la danse: Genèse et construction d'uner discipline. Pantin, France: Centre national de la danse (version of 1979c) 2006b "Marian Chace Foundation Annual Lecture: October 2005. The Power of Dance Discourse: Explanation in Self-Defense," American Journal of Dance Therapy 28(1):3-20 2008 "Empowerment: The Art of Seduction in American Adult Entertainment Exotic Dance," in Frank Kouwenhoven and James Kippen, eds. Music and the Art of Seduction, forthcoming --- “Right to Dance: Exotic Dancing in the U.S.," in Naomi Jackson and Toni Shapiro-Phim, eds., Dignity in Motion: Dance, Human Rights and Social Justice, under publication review --- “An Intelligent Move,” under publication review --- "'Toxic' Strip Clubs: The Intersection of Religion and Law," under publication review Bibliographies 1970 "African Dance as Human Behavior: A Selected Bibliography," New York: Fordham University, Lincoln Center, African Dance Institute 1974 CORD Membership Biographical Bibliography and Directory. New York: Committee on Research in Dance (Romanie Kramoris, co-compiler) 1976 The Anthropology of Dance: A Selected Bibliography. Englewood Cliffs: Hanna and Hanna Associates. 1978 rev. Distributed by R.L. Shep, Seattle; Ge Nabrink, Amsterdam; Theatre-book, Toronto; Dance Mart, New York; Dance Etc., Oakland, CA Reports and Articles in Popular Publications 1965 "An Understanding of African Dances," The Washington Afro-American, August 28, pp. 2 and 4 Reprinted as "What is African Dance?" Journal of the New African Literature and the Arts, Fall:64-67, 1966 Reprinted in Joseph Okpaku, ed., New African Literature and the Arts (Vol. I), New York: Thomas Y. Crowell Co., 1970, pp. 312-317 1966 "African Research Committee Conference on the African Arts: Report of the Dance Group," African Studies Bulletin 9(3):14-18 1968 "The Dance Research Center," in Richard Bull, ed., Research in Dance: Problems and Possibilities, New York: Committee on Research in Dance, pp. 24-26 1973 "Address on Career of Dance Anthropologist (presented at the Symposium on Careers in Dance, Alverno College, Milwaukee, 1972," CORD News (Dance Research Journal) 5(1):35-37 1976 "Social Theory and the Arts Conference," Dance Research Journal 9(1):45-46 1981a "Does Public Support Hurt Private Enterprise?" Dance Magazine 55(12):109 1981b "Public vs. Private," Washington Dance View, December 1981-January 1982, p.3; also as "Is Local Government Hurting or Helping the Private Sector? Dance and Economics in Montgomery County," Connections 1:12-14, 1982 1981c "Government Should Fund the Arts," The Washington Post, October 20, p. 7 1982a "Dancing Off-Stage," Stagebill, Kennedy Center for the Performing Arts 11(3):25-26, 29-30 (November); Lincoln Center, June 1983 1982b "Children Dancing: the International Conference," Dance Magazine 56(12):132 1983a "Education in the Arts," The Washington Post, October 11, p. C7 Excerpted in The Scrap Box 1(6):4, 1986 1983b "Dance and the Child: A Conference Report," Dance Research Journal 15(1):50-53 1985 "Foreign Policy and the Arts," The Newsletter of International Dance Alliance, Winter, p. 4 1986a "Ballets that Shock," Stagebill, Spring (Detroit Book VII), pp. 22, 24, 27, 30 1986b "Education: Why Bharata Natyam?" Dance Magazine 60(3):115 1988a "Teaching Adult Beginners," Dance Teacher Now, January 10(1):26, 28-30 1988b "Do We Teach Sex Roles Through Dance Education?" Dance Teacher Now 10(7):38-41 1989a "Dance Education in the Public Schools," Dance Teacher Now 11(2):25-26, 28-32. Excerpted in Update: Dance USA 6(6):8-10 1989b "National Dance Association," Dance Teacher Now 11(7):49-50, 52 1989c "Divine Dance," Dance Teacher Now 11(9):29 1990a "Dance and Stress: Good or Bad?" Dance Teacher Now 12(1):27-28, 30, 32, 34, 36 1990b "Why Learn Indian Dance: What Western-style Dancers Stand To Gain from a Study of Bharata Natyam?" India Currents 4(8):17-18 1990c "Ailey Camp Promotes Literacy for At-Risk Youth," Dance Teacher Now 12(4):38-40 1991a "Issues in Supporting School Diversity: Academics, Social Relations, and the Arts," Education Week 10(31), April 24, pp. 27, 29 1991b "Advantages of Bharata Natyam," Dance Theatre Journal 9(1):14-15 1994a "Kennedy Center's Programs Reach the Nation," Dance Teacher Now 16(4):63-66 1994b "What Is Black Dance?" Dance Teacher Now 16(8):69-72, 74, 76 1995 "Moving With the Arts: The Getty Center for Education in the Arts' National Conference Defines the Year's Benchmarks and Cries 'Forward'," Dance Teacher Now 17(8):55-58, 60 1996a "The Private Studio's Role in Educational Reform," Dance Teacher Now 18(1):61, 63-64, 66-67, 68 1996b "The National Arts Education Campaign," Spotlight 22(5):1, 5 1996c "In Defense of Exotic Dance," Exotic Dancer Bulletin 1(3):70, 72 1996d "Exotic Dance, the First Amendment, and Court," AnthroWatch 4(2):12 1997a "Rasta Thomas: Extraordinary Boy Next Door," Dance Teacher Now 19(1):65-72 1997b "Nilimma Devi's Touch of India in America," Dance Teacher Now 19(2):97-100, 102 1997c "What Can Students Get From Dance Competitions?" (Guest Editorial), Dance Teacher Now 19(3):100 1997d "Exotic Dance and Anthropology Update," AnthroWatch 5(2):23 1997e "Witness to Injustice?" Exotic Dancer Bulletin 2(4):80 1998a "Chuck Davis," Dance Teacher Now 20(1):50-51 1998b "Analysis: The First Amendment and Exotic Dance," National Campaign for Freedom of Expression Quarterly, Autumn, p. 8 1998c "In the Courtroom: The Right to Dance!" Exotic Dancer Bulletin 3(1):20 1998d "Building Your Library: Sexuality in Dance and Society," Dance Teacher Now 20(6):16, 18 1998e "Learning Ballet the Russian Way," Dance Teacher Now 20(9):40-44, 46-47 1998f "Exotic Dance in Seattle: The First Amendment and Anthropology," AnthroWatch 6(1):4-6 1998g "Defining Dance in the Courtroom," Exotic Dancer Bulletin 3(3):29 1998h Interview by Vladimir Anguelov: "Die Reinheit der Nachtclubtanzerin und die Erotik der Ballerina," Tanz Affiche 80:28-31 1999a and Heather C. Liston and Diane Smagatz-Rawlinson. "Dance 2000: Dance Beyond Doors," Dance Teacher 21(2):42-44, 46, 48-52 1999b "Dance Advocacy on Capitol Hill and at Home," Dance Teacher 21(2):16 1999c "Small Talk About Big Choreography: Exploring the Process with Vladimir Anguelov," Dance Teacher 21(3):43-46; reprinted in Vail International Dance Festival Program, 1999, pp. 28-29 1999d "The First Amendment and Defense of Exotic Dance," Anthropology Newsletter 40(4):50-51 1999e "Club News: Washington, D.C. Bureau," Exotic Dancer Bulletin 3(4):74-76 1999f "Here's the Naked Truth," Gazette Community Forum," June 24, p. A-17 1999g "Washington, D.C. Bureau," Exotic Dancer Bulletin 3(4):74-76 1999h "Club Owners--Are You Harassing or Discriminating Against Your Dancers?" Exotic Dancer Bulletin 4(1):61 1999i "Arrests In A Family Business," Exotic Dancer Bulletin 4(2):20-21 1999j "The Naked Truth," Exotic Dancer Bulletin 4(2):138-139 1999k "Vaganova Method," Dance Spirit, May, p. 41 1999l "Dancing from the Heart: There are Rich Payoffs When Kids Dance About What Matters to Them," Dance Teacher 21(6):22 1999m "From the Choreographer's Vantage Point," Dance Spirit, July, p. 46-47 1999n "Talented Unlimited [Musical Theater Center]," Dance Spirit, September, p. 126 1999o "'Fame Game' Vivian Nichole Nixon: Debbie Allen's Daughter Is Making a Name for Herself," Dance Spirit, December, p. 56 2000a "Continue Your Education to Improve Your Teaching: 34 Opportunities for Career Development," Dance Teacher 22(1):69-74, 76-77 2000b "Bridging College and Community: A Performance Program at Colgate University Addresses Kids' Real-life Issues Through Dance," Dance Teacher 22(1):90-92 2000c “Range of Motion: Inside a Workshop that Uses Dance To Help You Explore Different Viewpoints,” Dance Spirit, April, p. 42 2000d “The Language of Dance,” Washington Parent, April, pp. 26-27, 32 Reprinted in Ohio Dance 23(4):8-10 2000e "Renaissance Man: Tony Powell Does It All, and Does it Better than Most” Dance Teacher 22(4):44, 46-47 2000f “Helping Dancers, Helping Business?” Exotic Dancer Bulletin 5(1):52 2000g “Learning Through Dance,” American School Board Journal 187(6):47-48 2000h “Eternal Enchantress: Debbie Allen Pushed the Envelope With Her Latest Dance Sensation,” Dance Spirit, March, p. 94 2000i “Body Language: Dance Innovator Bill T. Jones Speaks His Mind – With His Body, That Is,” Dance Spirit, August, p. 86 2000j “Gentlemen’s Clubs, Councils and Courtrooms: Dance Scholarship Moves into Public Policy,” DCA [Dance Critics Association] News, Spring, pp. 7, 16-18 2000k "Spanish Dancing," Dance Teacher 22(6):52-53 2000l “Club Wins First Round of Nudity Battle,” Exotic Dancer Bulletin 5(3):12-13 2000m “A Heady Teachers Conference at Vail,” Dance Magazine 74(11):78-79 2000n "On My Mind: Body Language,” Dance Teacher 22(9):31 2000o “A Tornado in the Washington Ballet: New Artistic Director Septime Webre is Taking His Company on a Wild Ride,” Dance Spirit, December, pp. 52-53 2000p “The Insider’s Guide to the Washington, D.C. Dance Scene,” Dance Spirit, December, pp. 18-20, 22 2001a “What’s in a Name? A ? of Life or Death & Acceptance or Stigma,” Adult Entertainment Advocate 5(1):2, January 1 2001b “Does Dance Education Help Academic Achievement? The Experts Weigh In,” Dance Magazine 75(1):78 2001c “K-12 Dance Partners, Who Are They?” Spotlight on Dance 27(2):9-10 2001d “Still Dancing Nude at Class Act,” with Randall D.B.Tigue, Exotic Dancer Bulletin 5(7):8-9, 60 2001e “The Teach-Learn Connection: Grants Go to Dance,” Dance Magazine 75(1):52 2001f “Wrapping Nudity in a Cloak of Law,” New York Times, July 1, p. AR 14, 18 2001g “Power of One: Anastasia Volochkova Has Moved Beyond Her Principal Days at the Kirov and Bolshoi to Go Solo,” Dance International (Canada) 29(2):14-18 2001h “The Teach-Learn Connection: NEA Asks the Artists,” Dance Magazine 75(9):78 2001i “Bringing Magic Into Your School,” Principal Leadership 2(3):21-24 2002a “Book Perpetuates Dangerous Myths,” ACE National Newsletter, 2(2):1-2 2002b “The Stigma of Exotic Dance: Sexy, Not Sex,” Exotic Dancer Bulletin 7(1):37 2002c “American Planning Association Volume Would ‘Plan’ Adult Businesses into Oblivion,” (Legal News, Book Review) Adult Video News (AVN) 18(4):218 2002d “Rasta’s Quest: Ballet’s Maverick is Still Looking for a Home,” Dance Magazine 2002e “If this Is ‘Stripping,’ What Is Adult Entertainment?” Exotic Dancer Bulletin 7(3):62 2002f “Sharing the Secret,” daCi USA Newsletter, Winter, p. 10 2002g “Whose Aesthetics Determine Artistic Merit?” DCA (Dance Critics Association) News, Summer/Autumn, pp. 7-15 2003a “The Exotic Dance Industry Under Fire,” Free Speaker, January, pp. 8-9 2003b “Intelligent Movements: A Dance-Education Pas de Deux,” World & I, February, pp. 78-85 2003c “Russia’s Mirror of the Times: the Kirov Ballet,” Dancer, April, pp. 66-68 2003d “History of Burlesque on Display at Exotic World Museum,” Exotic Dancer’s Club Bulletin, Feb/March, p. 65 2003e “Studio Biz Talk: Enemy or Ally? Private Teacher Ziva Cohen in Public Schools,” Dancer, June, pp. 31-32. 2003f “A Room With a View? Undercover Detectives Said the Dancing at Sugar Daddy’s Had ‘No Artistic Merit:’ A Jury Disagrees,” Exotic Dancer’s Club Bulletin, June, p. 30 2003g “Nonstop Tornado—Septime Webre’s Washington Ballet,” Dancer, August, pp. 81-82 2003h “Train Wreck Company on Track: Born and Blossoming,” Dancer, August, 76-77 2003i “Arte posta a nu,” Gesto (Revista do Centro Coreográfico do Rio) (Brazil), June pp. 24-29 2003j “Michele Wiles: Born to Dance,” Dancer, October, pp. 83-89 2003k “From Africa’s Mali to America’s Washington, DC,” Dancer, October, pp.130, 133-134 2003l “Soaring Through the Frame: CityDance FilmWORKS Experiment,” Dancer, October, pp. 144, 146-147 2003m “The Supremes Call the Tune” (Supreme Court on Diversity and Privacy), Dance Magazine 77(12):23 2003n “Questions and Answers With. . .” (Ovetta Wiggins Interviewed Hanna), Washington Post, Metro, December 7, p. C4 2003o "Rights and Responsibilities for Dancers & Choreographers," Dancer, December, 28 2004a “Anthropology as a Tool in Education,” Anthropology News 45(4):41-42 2004b “The Teaching Artist’s Armament,” Teaching Artist Journal 2(2):104-106 2004c "Suzanne Farrell Glows in the Spotlight From Onstage to Backstage," Dancer, February, pp. 58-65 2004d "Nejla Y. Yatkin: The Nefertiti of Dance," Dancer, March, pp. 72-73, 75-76 2004e “Cuba: A Little Island & a Lot of Dance,” Dancer, July, pp. 44-49 2004f “The Washington School of Ballet's New Director—Rebecca Wright,” Dancer, September, pp. 34, 36, 38 2004g "Taleh's Solo Concert--Her Kuchipudi Graduation," Dancer, October, pp. 82, 84, 86, 88 2004h "Cuban Dance on Street, Stage and Page" (with Ramiro Guerra), Dance Critics Association News, Fall, pp. 8 -13 2004i "Dancing to Celebrate and Help Women," Dancer, December, pp. 92, 94 2005a "Rasta Thomas, Prodigal Son," Dancer, January, pp. 58-69 2005b "Doug Varone's Creativity on Record," Dancer, January, pp.86-88 2005c "Dance Speaks Out on Social Issues," Anthropology News 46(4):11-12 2005d "In Flight--Caught by Chris Dame: A Photographers Take on Dancers," Dancer, June, pp. 74-75 2005e "City Dance Center at Strathmore: Performance/Education Partner of the New $100 Million Music Center," Dancer, June, pp. 28-30 2005f "Dancing in a Movement Choir," Dancer, July, pp. 82-84 2005g "How Do You Create Dances?" Dancer, October, pp. 24-26, 28 2005h "'Provocative' Dancers: Actors with Agency," Anthropology News (Association for Feminist Anthropology) 46(7):47 2005i "Beyond the Gold: Adrienne Canterna Mines New Territory," Dancer, November, pp. 50 2005k "Galina Panova -- Passing on the Torch," Dancer, December pp. 48-51 2006a "Strip Club FYI," "Gentlemen's Clubs, Councils & Courtrooms," Adult Entertainment Today 2: 9 2006b "Dancing, ACT and Signs of Suicide: American/International Rhythm--Dance/Movement Therapy Practice and Research," Dancer, April, pp. 71-72, 74 2006c "Nejla Y. Yatkin: The Intellectual Dancer," University of Maryland, Faculty Voice, 19(4):8, May 2006d "Music and the Art of Seduction, University of Amsterdam, May 19-22, 2005, Dance and Seduction? Dance Research Journal 37(1):157-162 2006e "Body to Body, Dimes to Dollars, Adult Entertainment Today, 3:13 2006f "Never Show the Audience the Back of your Neck," Dancer, June, pp. 38, 40 2006g "Olé! Flamenco Aflame," Dancer, June, pp. 42, 44, 46 2006h "Por una Teoría de la Danza," Danzar.Cu, Número Cero, p. 3 2006i "College for Dancers?" Dancer, November, 90-97 2006j "Dreaming in War Time and in Flamenco," Dancer, December 44-48 2006k "'The Joy of Sets," Dance Critics News, Autumn, pp. 4-5 2007a "How Dance Helps Us Cope: Exploring the Relationship between Stress and Dance," Goldrush Magazine12(1):80, 83-84 (renamed Dance Studio Life) 2007b "Home is Where the Heart Is: Fabian Barnes Celebrates 20 Years of Performance and Outreach," Dance Teacher, February, pp. 40-45 2007d "YouTube? MySpace? Inspiration for Choreography?" Dancer, April., pp; 36-37 2007e "Kirov Academy of Ballet of Washington, DC: A Russian Heritage Alive and Growing," Dancer, May, pp. 52-63 2007f "From an Acorn Grows a Grand Oak--CityDance Ensemble's Power, Passion and Purpose," Dancer, September, pp. 62-65 2007g "Washington, D.C.'s Dance Envoy: Dana Tai Soon Burgess & Co. Go to the Middle East," Dancer, September, pp. 72, 74 2007h "Where's the Body: Legislative & Judicial 'Common Sense' & Evidence," WAPA (Washington Association of Professional Anthropologists) Newsletter 30(1):6-7 2007i "Adventures Abroad for Students, Teachers and Other Dance Lovers, Dancer 2007j "Come One, Come All -- DC Dance Collective," Dancer --- “The Mentality and Matter of Dance,” “Stress and Stage Fright,” “Respectability in Dance,” “Creative Problem-Solving,” in Kim Chandler Vaccaro, ed., Dance in MY Life, Reston, VA: National Dance Association (forthcoming) Book Reviews, Rebuttals and Commentaries 1974a "Reviews of Warren L. d'Azevedo, ed., The Traditional Artist in African Societies, and Raymond Firth, Symbols: Public and Private," CORD News 6(2):34-39 1974b "Review of Lynne Fauley Emery's Black Dance in the United States from 1619 to 1970," Ethnomusicology 18(1):155-157 1975 "Review of Robert Farris Thompson's African Art in Motion," Dance Research Journal 7(1):31-33 and African Studies Association Review of Books I:5-9 1976a "Review of Joseph H. Mazo's Dance as a Contact Sport," Dance Research Journal 8(1):23-24 1976b "Review of T. O. Ranger's Dance and Society in Eastern Africa 1890-1970: The Beni Ngoma," Dance Research Journal 8(1):26; also in Africana Journal VI 1976c "Review of Ragnar Rommetveit's On Message Structure: A Framework for the Study of Language and Communication," Dance Research Journal 8(2):42-43 1980a "Review of Michel Huet's The Dance, Art and Ritual of Africa," Africana Journal 11(1):103-104 1980b "The Human Dance," The Sciences 20(6):2 1981a "Review of John Miller Chernoff's African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms," ASA Review of Books pp. 15-18 1981b "The Anthropology of Dance: Or, Who Collects Butterflies?" American Ethnologist 8(4):808-810 1983a "Review of Irmgard Bartenieff's Body Movement: Coping with the Environment," Ethnomusicology 27(1):124-125 1983b "Review of Gloria T. Blatt and Jean Cunningham's It's Your Move: ExpressiveMovement Activities for the Language Arts Classroom," Dance Research Journal 15(2):36-38 1983c "Response to Barnes," Ballet News 5(1):41 1984a "Review of Lonsdale: Animals and the Origins of Dance," Ethnomusicology 28(3):555-556 1984b "Letter" (comments to prior publication), Dance Research Journal 16(1):1 1984c "Reply to Power's Misreading of To Dance Is Human," American Anthropologist 85:993-994 1985 "Review of Cherokee Dance and Drama, Dances of Haiti, and Polynesian Dance," American Ethnologist 12(4):809-811 1986a "Review of Labanotation Scores: An International Bibliography," Ethnomusicology 30(2):345 1986b "Letter" (reply to reviewer of The Performer-Audience Connection), Dance Research Journal 17(2)-18(1):1 1986c "Review of Society and the Dance," Man 21(4):770-771 1987 "Reply to Ann Daly," The Drama Review 31(2):24-26 1989a "Criticism Versus Anthropology" (reply to Jowitt), Dance Research Journal 21(2):58 1989b "Rely to Garafola," The Women's Review of Books 7(7):5 1991 "Review of Sharing the Dance and Dance and the Body Politic in Northern Greece," American Anthropologist 93(4):1007-1008 1996 "Review of Yvonne Daniel, Rumba: Dance and Social Change in Contemporary Cuba," Anthropos (International Review of Anthropology and Linguistics) 91(4/6):588 1997 "Review of Brenda Farnell, Human Action Signs in Cultural Context: The Visible and the Invisible in Movement and Dance," Journal of the Royal Anthropological Institute, 3(1):170-171 2000 “Review of Jean L. Briggs, Inuit Morality Play: The Emotional Education of a Three-Year-Old,“ Anthropology and Education Quarterly 31(3):390 www.aaanet.org/cae/aeq/br/index.htm 2001 “Review of Theresa J. Buckland, ed., Dance in the Field: Theory, Methods and Issues in Dance Ethnography,” Ethnomusicology 45(1):177-179 2002a “Review of Saburo Shawn Morishita, Teodori: Cosmological Building and Social Consolidation in a Ritual Dance,” Anthropos (International Review of Anthropology and Linguistics) 97(2):214-215 2002b “The Performing Arts World According to Rand: A Review of Two Studies,” Dance/USA Journal 18(2-3):40-42 2003a “Review of Eric Damian Kelly and Connie Cooper, Everything you always wanted to know about regulating sex businesses,” Journal of Planning Literature 17(3):45-46 2003b “Who Speaks for Gays in Dance?” Dance Research Journal 34(3):7-9. 2003c “Very Bare Bones (Review of Sisters of Salome, Dance Magazine 77(11):80 2004 “Review of Kelly M. Askew, Performing the Nation: Swahili Music and Cultural Politics in Tanzania ,” Anthropos (International Review of Anthropology and Linguistics), 99(2):603-605 2005 "Review of Katherine Frank, G-Strings and Sympathy: Strip Club Regulars and Male Desire," Journal of the Royal Anthropological Institute 2006 "Images of Dance in Cuba," Dancer, July, pp. 32-34 2006 "Review of Ulf Hannerz, Soulside: Inquiires into Ghetto Culture and Community with a New Afterword," Anthropos (International Review of Anthropology and Linguistics), 101(2):618-619 Dance Reviews National Endowment for the Arts sponsored performance/workshop Projects in Other Media "African Dance: The Pulse of a Continent," ethnographic motion picture films Conference and Seminar Papers African Studies Association, 1964, 1966, 1967, 1977, 1978 Presentations to Governmental Bodies 1997 "Dancer-Patron Up Close or Distant: What Difference Does it Make? Why?” Shoreline City Council, Washington 1998a “Nudity -- Not Nice?" Lansing City Council 1998b “Exotic Dance and the Proposed County of Horry Ordinance #83-98,” County of Horry City Council, South Carolina 1999a "Exotic Dance and the Proposed No-Contact 3-Foot Ordinance of the City of Tampa," City Council of Tampa, November 18 1999b "First Amendment Protection of Exotic Dance and the Proposed No-Contact/Patron-Dancer Distance Ordinance of the City of Tampa," City Council of Tampa, December 2 2000 “First Amendment Protection of Exotic Dance (including the Expressive Contact Component) and the Proposed No-Contact /Patron-Dancer Distance Ordinance of the City of Tampa," City Council of Tampa, September 21 2002 “Prohibition of Sexuality in ABC Establishments: Critique of Proposed 23 D.C.M.R to District of Columbia Municipal Regulation § 905: Prohibited Conduct on Licensed Premises,” ABC Board Public Hearing, December 18 2003 “Testimony v. Prince George’s County, Maryland, Proposed Bill, CB-86-2003,” Prince George’s County Council, November 25 2004 "Testimony on City of Oakland Park Restrictions Legislation," July 21 2005 "Testimony on Proposed State of Ohio House Bill 23 Regulations of Exotic Dance" to Senate Criminal Justice Committee 2006 "Testimony on Prince George’s County, Maryland, Proposed Bill, CB-61-2006," July 18 2006 "Hillsborough County Proposed Sexually Oriented Business Legislation," August 16 Professional Affiliations and Offices American Anthropological Association (Fellow) Administrative Experience Co-directed research teams, East and West Africa; directed teams in United States Academic Peer Evaluation Evaluated faculty for promotion, tenure, distinguished faculty awards in US and abroad Counseling Advisor to African Students Association, Michigan State University Tutorials and Membership on Ph.D. and M.A. Committees International College/William Lyon University, University of Montreal, Wesleyan, Rutgers University, George Washington University, University of Adelaide, SUNY at Stony Brook Task Force Montgomery County Council Performing Arts Task force to Study the Impact of Government Sponsored Programs, 1981-1982 Dance Education Classical Ballet: Lala Baumann, St. Louis Civic Opera Company; Ballet Arts, New York City; Beth Wortley and Cathy Chamberlain, Dallas Anthropology of Dance and Education Lectures (L) and Dance Courses (C), Master Classes (MC) or Workshops (W) Purple Sage Camp, Malibu, California (modern W), 1956 Dance and Movement-related University Courses Taught Dance and Society Listed in Who's Who International Who's Who in Music Personal Information Born 9-21-36, St. Louis, Mo., U.S.A.; Married, Two Children; U.S. Civil Service Commission Rating, GS Senior Level Position
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